Filed under: Mali
Record collectors are a nefarious bunch. It’s a moniker that I have generally shied away from, preferring music nerd. I am no vinyl purist. The only reason that I have return to the vinyl wonderland is that was the only way to find what I was looking for – which was something that was not available anywhere else. And I will admit that vinyl does sound the better than any of the other options – that is, if the vinyl is in good shape. But since I do not have to resources to travel the world scouring flea markets from Tokyo to Timbuktu, I have to rely on record dealers…
Now don’t get me wrong, there are some honorable dealers out there. In fact, the person who sold me this record has been known to throw an extra record or two in with my orders. But more than a few records have fallen short of their description. This record was listed as Very Good Plus, which is: “Cover suffers from folding, scuffing of edges, spine splits, discoloration… Now the signs of age and handling are starting to show. You can notice some clear wear on the surface, there is some noise (pops and crackles) but no skips or major warps”. Here’s the criteria of what classifies as Bad: “The cover and contents are badly damaged or partly missing. Cover can also be missing. The record does not play properly due to scratches, bad surface noise, etc… Unless it is something very rare it is not worth listing in this condition”. And there’s the catch – this record is rare. And due to the scarcity of the records like this one, I have learned to live with some fairly noisy recordings.
As for Tentemba Jazz du Mali, I do know that the band consisted of members Sékou Kanté – who later joined the Rail Band – Ousmane Diabaté and Amadou Touré. They released two albums in 1977 and one more in 1978. As far as I know, this was the second of only two singles that the band recorded.
If you have any information, please contact me.
Catalog number B B 229 on Badmos Records of Côte d’Ivoire, released 1977.
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